Tuesday, August 12, 2014

Movie Mayhem with God Part 13: The same vulnerable Wolverine; two very different outcomes

Friends of mine may know that I’ve had the honour of winning an online competition to get the opportunity to interview Hugh Jackman face-to-face live in Singapore, when he came down in May to promote X-Men Days of Future Past. He was a very friendly star with no airs, and it was after the interview, that I felt curious enough to look for his other works, such as the Prestige.

During my retreat in CISC over the past week, while I was mulling over the concept of “mercy” in the Beatitudes, when I was suddenly reminded of two very different characters played by Mr Jackman, in two films which could not have stated the contrast better, what it means to accept mercy and what it means to deny mercy.

In The Prestige, Hugh Jackman’s Robert Angier is so consumed with Christian Bale’s Alfred Borden at having caused his girlfriend’s drowning accident, he practically devotes his entire life towards getting back at him. In the movie poster, the tag line states, “are you watching closely?” Sad to say, for their characters in the film, are so concentrated on watching as each other as adversaries closely, they completely lose sight of themselves. In the process of this relentless duel, they sacrifice their physical health, career, friends, loved ones, and eventually themselves. What was initially a healthy devotion to professionalism for their vocation of performing magic, veers off course till they’re so possessed by the notion that the other party has trumped them, they fail to treasure what they have till all was lost. By refusing to show mercy to each other, they were actually denying themselves of mercy. A conversation in the movie sums things up quite nicely.

Nikola Tesla: Mr. Angier, have you considered the cost of such a machine?
Robert Angier: Price is not an object.
Nikola Tesla: Perhaps not, but have you considered the ‘cost’?
Robert Angier: I'm not sure I follow.
Nikola Tesla: Go home. Forget this thing. I can recognize an obsession, no good will come of it.
Robert Angier: Why, haven't good come of your obsessions?
Nikola Tesla: Well, at first. But I followed them too long. I'm their slave... and one day they'll choose to destroy me.
Robert Angier: If you understand an obsession, then you know you won't change my mind.


Les Miserables is a well-known epic by Victor Hugo, which has been adapted into films and even a staple Broadway musical. Hugh Jackman plays the role of protagonist Jean Valjean in the most recent film adaptation in 2012. A friend always jokes that the story is essentially about the rest of the life an ex-convict who had stolen a loaf of bread. Well, I’d like to add she missed out the critical “redemption through mercy” part in the equation, which without it, would quite frankly render the entire story meaningless.

Having been inspired by a kind bishop, after his release from prison, Jean Valjean turns his life around as mayor of a small town. However, his old enemy, the fanatic police inspector Javert is convinced that a leopard never changes his spots, and he makes it his personal mission to “stalk” Valjean. In the midst of this, Jean Valjean adopts Cosette, daughter of Fantine (an ill-treated factory worker of his), as he feels responsible over her descent into prostitution. As he tries his best to protect and provide for Cosette throughout the rest of his life, all members are swept into the political turmoil in 1830s France.

At the finale of the film, Jean Valjean passes away content and peaceful, knowing he has done it utmost to uphold his promise to the bishop and Fantine. However, things are much bleaker for Javert, who unable to reconcile his devotion to the law with his realisation that sometimes lawful course is immoral, takes his own life.

The movie poster has the caption “Fight Dream Hope Love”, each representing the life mottos of the characters of Javert, Fantine, Valjean and Cosette respectively. Fantine’s courage in asking Valjean for mercy in taking care of her daughter, as well as Valjean’s willingness to grant mercy, accounts for the peace granted to Valjean and Fantine as the end of their days. Meanwhile, Javert’s obsessive stubbornness at denying others that much needed mercy, is precisely the factor which drives him to suicide as he is unable to forgive himself when he discerns the error of his past beliefs.



I’ll conclude this entry with a snapshot of the process towards and away from God, which I had gotten from the retreat. Both journeys start from the same point and their various “symptoms” at each stage may mirror and contrast their corresponding stage in the alternative journey.

Blessed are the merciful, for they will be shown mercy.

Matthew 5:7 (NIV)

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